This woman is credited with catapulting Tejano, or Texas-Mexican music, in to the mainstream market.
Tejano is just a hybrid, a mixture of Conjunto, a style that is accordion-based back into the belated nineteenth century, with a contemporary rhythm portion of electric guitars, bass, keyboards and drums. Because of the mid-twentieth century Tejano had traveled through the cantinas to ballrooms, after which to groups where it absolutely was played by smaller ensembles that included a switch accordion, drums and guitar. Brand brand New, young bands sequin-clad that is—some some with cowboy shoes and ten-gallon caps —joined the Quintanilla family members musical organization, Selena y Los Dinos, on endless trips on dilapidated buses to towns throughout the Southwest: Lake Jackson, Laredo, El Paso, surviving on candy pubs and baloney sandwiches.
After which started the street towards the top. Broadcast promoters played Selena y Los Dinos’ documents in growing numbers:
KXTN in San Antonio, KLAX/ L. A., and KKLB/Austin. The venues got bigger, the crowds larger. They cut documents with independent Tex-Mex manufacturers – Freddie, Cara, Mabel — offering up to 20,000 documents. In 1986 and once more in 1987, Selena won the Tejano Music Award for Female Vocalist of the season. She won once more in 1989, as well as for seven years thereafter.